Photo Every Day #14

Today's PED is of my 'film shelf' which contains my vintage film cameras, both of my degrees, and a rather lovely photo of me in my BA degree graduation robes. I watched Of Freaks & Men today, a Russian film about the development of pornography from photographic stills to motion films. It is a bizarre film with strange characters but well worth a watch! It has stunning sepia tainted cinematography which gives it a really authentic feel. This has had me thinking all day about how to get my ideas surrounding creating my own 'old movie' style short.

Song Of The Day: Alexisonfire - Rough Hands
Reason: A really beautiful song with lyrics I can identify with.

"Sometimes love isn't about how much someone suits you
but how much you're willing to change to suit them"

"Well I'm not saying she's my last.
I'm just saying that she could have been"

Camera Collective:

Film Adaptation: One Flew Over The Cuckoo's Nest

Another essay from my uni days, this one was part of a Film Adaptation module during my second year at TASC

Discuss the fidelity of the film adaptation of Ken Kesey's 'One Flew Over The Cuckoo's Nest' in relation to audience theories; including the reception of the film and the difference between readers of the novel and viewers of the film.

One Flew Over The Cuckoo’s Nest was a 1962 novel written by American author Ken Kesey. It was adapted into a film of the same name in 1975. Actor Kirk Douglas originally played RP McMurphy in a stage version of the novel, after purchasing the rights to film the piece he passed them onto his son, fellow actor Michael Douglas who set into motion the production of the film whom also acted as producer for the film (Dirks). It was claimed that the film was made in order to appeal more to contemporary audiences. At the time, the now all-star cast were all relatively unknown, the film propelling their careers due to its critical acclaim, both as a film and also in novel form.

The film is set in a mental hospital in the 1960s and followed a group of patients on an all male ward. Kesey himself had spent time as a guinea pig for experimental drugs as well as an aide on a ward in a hospital in Oregon, and based his novel loosely upon his experiences and patients whom he had met during this time (Huffman, 2002). The novel is told from the point of view of a large Indian patient known as Chief Bromden, whereas the film is told from a more neutral view point, but closely follows McMurphy. The story begins when McMurphy is brought onto the ward after his behaviour becomes questionable whilst serving a prison sentence working on a farm after committing a string of crimes, the latest of which being statutory rape. The rest of the plot continues on, showing the reader and view what everyday life in the asylum is like. However McMurphy, not content with this, sneaks prostitutes onto the ward, gambles with the other patients and in the film, steals a bus and boat in order to take the men fishing (Dirks) (Kesey, 1962) (Forman, 1975).

Can Japanese Cinema Be Fully Understood By Western Audiences?

I've covered some really interesting topics through my degree and masters degree courses, so thought I'd pop them onto my blog so that people can see some elements that interest me from a film studies angle! This essay was from my second year at Trinity and All Saints College during my Film & Television Studies degree.

Discuss the claim that Japanese cinema cannot be properly understood by Western audiences without a wider understanding of the country’s history and society.

                Japanese culture is very different to that of the western world. To say that Japanese cinema cannot truly be understood by a western audience is only partly correct; it is true that a basic knowledge of Japanese society is useful, as the society structure is a lot different to that of Western areas, however it is not vital. For the majority of Japanese cinema it does not matter if the audience knows much about the history of Japan, as generally many relevant aspects are explained, however the more knowledge that the audiences possesses, the more sense the film will make and audiences will be able to place it into context more easily.

                History is important in Japan, and has helped to shape the way society is structured today. Events such as World War Two and the rise of Japan’s economy in the 1970s have had huge impact on Japan (Bordwell, 2003), especially as relationships with work are of huge importance to the Japanese as individuals. After Japan had boomed successfully, a recession began and the long time leaders, the Liberal Democratic party were shown to be corrupted on multiple occasions (Bordwell, 2003, p. 646). Aspects such as this are an important influence on films and the making of the films themselves, little knowledge of these events can hinder ones knowledge of the country as a whole, but generally are less relevant to most films, unless they are about a certain event itself, for example war, in which case historical facts are generally explained in the films plot or narrative.